Document Type

Article

Publication Date

Winter 1991

Publication Title

Perspectives of New Music

First Page

142

Last Page

170

DOI

http://dx.doi.org/10.2307/833073

Abstract

This paper explores dynamic and attack associations in the Bourreux de Solitude movement of Pierre Boulez's pivotal piece, Le Marteau sans maître.

Rights

“Copyright 1991 Perspectives of New Music. Used by permission. This article first appeared in Perspectives of New Music vol 29 number 1, 1991.”

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