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Abstract

In this study I bring two disparate traditions together which have painted portraits of divinity as a divine lover and supreme beloved. One tradition is from sixteenth century Europe and the other from sixteenth century India. My focus here is on the function of contemplative experience and vision in relation to the scriptural depictions and descriptions of divine love within both Carmelite Catholicism and Caitanya Vaishnavism through the developed visions in the sixteenth century works of Saint John of the Cross and Krishnadāsa Kaviraja Goswami, respectively.

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