The department of Modern Languages, Literatures & Cultures prepares students to live and work in an increasingly complex society.
In courses, extracurricular activities and through a wide variety of study abroad opportunities, our students gain broader awareness of the world and their place within it.
Below you will find scholarly and other professional works of faculty in Modern Languages, Literatures & Cultures.
Documents from 2012
King Alfonso XI in Lope’s Amor, pleito y desafío: A Practical and Just Model of Kingship in a Time of Moral Ambiguity, Terri Carney
Luis Goytisolo's Teoría del Conocimiento As Postmodern Autobiography, Terri Carney
Defying Borders: Transforming Learning Through Collaborative Feminist Organizing and Interdisciplinary, Transnational Pedagogy, Terri Carney, Margaretha Geertsema Sligh, Ann M. Savage, and Ageeth Sluis
Documents from 2011
Still Hungover: Todd Phillips and Rape Culture, Terri Carney
Documents from 2010
"Del infierno al cuerpo: La otredad en la narrativa y en el cine español contemporáneo," Katarzyna Olga Beoñom, Terri Carney
Book Review: "Hocus bogus," Gary, Romain., Sylvie Vanbaelen
Book Review: "Ousmane Sembène: the making of a militant artist," Gadjigo, Samba., Sylvie Vanbaelen
Documents from 2009
Les Chants de maldoror: plaisir de la négation, négation du plaisir, Eloise Sureau-Hale
Documents from 2008
Isidore Ducasse précurseur d'Odilon Redon. L'hypotypose en noir et blanc., Eloise Sureau-Hale
Spectres, monstres et fantômes. Les Chants Maldoror" et le spectacle de la fantasmagorie, Eloise Sureau-Hale
L'Orlanda de Jacqueline Harpman: Virginia Woolf rencontre Carl Gustav Jung, Sylvie Vanbaelen
From the Streets to the Screen: The Music of Madrid in Saura's Deprisa, deprisa, Linda M. Willem
Documents from 2007
Moi et 'Autre: identití et diversité dans un cours sur le film francophone, Sylvie Vanbaelen
Documents from 2006
Un Voyage de L'oeil à L'autre ou Maldoror Traverse Le Miroir. Quelques Remarques Sur L'Identité et le Flou Dans les Chants de Maldoror, Eloise Sureau-Hale
The Music of Borgesian Destiny in Saura's "El Sur", Linda M. Willem
Documents from 2005
Stratégies pour l'enseignement du cinéma africain, Sylvie Vanbaelen
Documents from 2004
Reaching Beyond Borders Through Service Learning, Terri Carney
Writing Dirty: Paradoxical Embodiments of Nazism in Bataille's "Le Bleu du Ciel", Sylvie Vanbaelen
Documents from 2002
Sex, the Body, and Human Subjectivity in Luis Gotyisolo's Erotic Novel "Escalera Hacia el Cielo", Terri Carney
"Un merl n'est pas un merlse..." Langage et liberté dans "Il pleut dans ma maison" de Paul Willems, Sylvie Vanbaelen
Rewriting Rendell: Pedro Almodóvar's "Carne trémula", Linda M. Willem
Documents from 2001
Luis Goytisolo Beyond "Antagonía": His Search for Agency in Democratic Spain, Terri Carney
Latent Narratives: Sideshadowing in "Fortunata y Jacinta", Linda M. Willem
Documents from 2000
Places in the Mind: Evocative Walks Through Galdós' Madrid, Linda M. Willem
Documents from 1999
Place a la litterature dans le cours de conversation!, Corinne Etienne and Sylvie Vanbaelen
Documents from 1998
Almodóvar on the Verge of Cocteau's "La Voix humaine", Linda M. Willem
Documents from 1996
Emilia Pardo Bazan, "Cronicas en La Nacion de Buenos Aires", Linda M. Willem
Jacinta's "Vista Al Cuarto Estado": The Galley Version, Linda M. Willem
Metafictional "mise en abyme" in Saura's "Carmen", Linda M. Willem
Documents from 1995
Lou Carnon-Deutsch, "Narratives of Desire: Nineteenth Century Spanish Fiction by Women", Linda M. Willem
Documents from 1992
Moreno-Isla's Unpublished Scene from the "Fortunata y Jacinta" Galleys, Linda M. Willem
Documents from 1991
The Narrative Premise of Galdos's Lo Prohibido, Linda M. Willem
