Theses/Dissertations from 2019
Applying “El Sistema”: An Analysis of The People’s Music School in Chicago, Illinois, Elizabeth Schmidt
Theses/Dissertations from 2018
10 Pieces for Vincent: A Suite for Mixed Chamber Ensemble, Cade Leinbach
The Correlation of Classical, Jazz, and Pop Music to a Reduction of Dental Anxiety Experienced by Adult Patients, Heather Wright
Theses/Dissertations from 2015
The Creation of Fear through Censorship: Repression of Artistic Freedom in the Music of the Syrian Revolution, Rebecca Aliah Ajamoughli
Theses/Dissertations from 2014
A Three-Part Study in the Connections Between Music and Mathematics, Molly Elizabeth Anderson
Folk Songs, Youth, and Propaganda: Music of the Third Reich, Patrick Scott Peterson
Theses/Dissertations from 2013
The Marriage of Figaro as presented by Beaumarchais, Da Ponte, and Mozart: An Expression of Shifting Class Structure, Kelly Cassady
An Exploration of Modes in Polyphonic Compositions of the Sixteenth Century, Marcella Marie Columbus
Theses/Dissertations from 2012
Bulgarian Chalga: Forming a Post-Communist Identity through Music, Megan Drevits
Considerations for Recording and Editing Classical Music in an Era of Popular Music Dominance, Andrew Earl Riehle
Theses/Dissertations from 2011
Reception and Influence of a Postmodernist Opera : John Adams' Nixon in China , 1987-2011, Casey Jo Brege
Design and Aesthetic in Debussy's Music: The Premiere rapsodie for Clarinet and Piano, Samatha K. Johnson
Socialist Realism and Soviet Music: The Case of Dmitri Shostakovich, Michael Robert Tirman
Theses/Dissertations from 2001
Learn Now, Subscribe Later!: A Method of Developing Audiences for Opera Through a Commitment to Outreach in Theory and Practical Examples, Grant Douglas Meachum
Theses/Dissertations from 2000
Tchaikovsky and his Violin Concerto : A Theme of Opposites, Jennifer Lynn Bougher
The Duruflé Requiem: A Guide for Interpretation, Karen Lou Cooksey
Theses/Dissertations from 1998
Dmitri Shostakovich, Lady Macbeth, and the Soviet Government, Bianca Nicole Dudeck-Wiseman
Theses/Dissertations from 1997
Analysis, Interpretation and Performance of the Concerto for Violin and Orchestra by Samuel Barber, Elizabeth Ruth Flood
Theses/Dissertations from 1996
A Technical, Musical, and Historical Analysis of Frederic Chopin’s Etudes, Op. 10, Henry Raymond Bauer
Theses/Dissertations from 1995
Scottish and Irish Elements of Appalachian Fiddle Music, Matthew S. Emmick
Theses/Dissertations from 1985
Schoenberg's Moses and Aron; A Logical Succesor to Nineteenth-Century Opera?, Steven Neil Tyler
Theses/Dissertations from 1972
Representative Works of Benjamin Britten's Church Music, Stephanie Turner
Theses/Dissertations from 1970
Six chansons of Paul Hindemith : An Analysis in Relation to Performance, Pamela Jean Flory
A Performer's Analysis of Eight Piano Sonatas of Nicholas Medtner, Sarah Louise Kinley