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Abstract

Except for occasional pieces in "The Poet's Corner", Walter Shedlofsky has been absent from the pages of Word Ways for nearly six years; I welcome his return with "Rearrangement: The Hidden Meaning" in the August 1979 Word Ways. This article is a response to his closing challenge there: "What rearrangements can you derive from EVERLASTING or IN VINO VERITAS, and what vehicles can you create to illustrate the correlations you find?"

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