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Abstract

Now, thrill as I may to the charisma of Zuw bin-Miytbol, the virtuosity of the Salami Staters, ant he splendorous sonorities of Wagner, the surfeit of ecstasy represented by a combination of all three seemed to me at the time hardly describable as soothing. I therefore, not without some trepidation, conveyed this sentiment to the philological four-footer and was delighted to hear him suggest then that we listen, rather, to The Moldau, The Barcarole, or the Scheherazade Suite.

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