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Authors

Jim Puder

Abstract

Although end-to-end-palindromic verse that is also rhyming and metrical was pioneered by J.A. Lindon and Howard Bergerson more than three decades ago, very long examples of the form have hitherto occurred only in a short story by George Marvill. Such compositions are not, however, infeasible in reality; the one that follows, in fact, is about twice as long as the longest such effort imagined by Marvill. More challenging than lengthiness in this verse is sensibility, which is courted here mainly at the quatrain level.

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