Part of the Classical Literature and Philology Commons
"Still She Isn’t Quiet": Music, Medea, and the Modern Classroom, Christopher Bungard, Vivian Deno Christopher Bungard
Pseudolus, 133-234 in Latin. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard Christopher Bungard
File
Mercator, 691-802 in Latin. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard Christopher Bungard
Silent and Boisterous Slaves: Considerations in Staging Pseudolus 133-234, Christopher Bungard, Daniel Walin Christopher Bungard
PDF
Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard Christopher Bungard
Link
Determinando un ruolo: immo e improvvisazione nello Pseudolus, Christopher Bungard Christopher Bungard
Lies, Lyres, and Laughter: Surplus Potential in the Homeric Hymn to Hermes, Christopher Bungard Christopher Bungard
To Script Or Not To Script: Rethinking Pseudolus as Playwright, Christopher Bungard Christopher Bungard
L’ingannatore ingannato: i due aspetti di Milfione nello Poenulo, Christopher Bungard Christopher Bungard
Mercator, 691-802 in English, Version A. NEH Summer Institute: Roman Comedy in Performance., Christopher Bungard Christopher Bungard
Reconsidering Zeus’ Order: The Reconciliation of Apollo and Hermes, Christopher Bungard Christopher Bungard
A Blast from the Ancient Past: Using Digital Storytelling in ‘Roman Perspectives’, Christopher Bungard Christopher Bungard
Mercator, 691-802 in English, Version B. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard Christopher Bungard
Comedy, Violence, and Undergraduates, Christopher Bungard Christopher Bungard
Violence in Plautus: Or, how I learned to stop worrying and love performance, Christopher Bungard Christopher Bungard
Comedy, Violence, and Undergraduates, Christopher Bungard Scholarship and Professional Work - LAS
Violence in Plautus: Or, how I learned to stop worrying and love performance, Christopher Bungard Scholarship and Professional Work - LAS
To Script Or Not To Script: Rethinking Pseudolus as Playwright, Christopher Bungard Scholarship and Professional Work - LAS
A Blast from the Ancient Past: Using Digital Storytelling in ‘Roman Perspectives’, Christopher Bungard Scholarship and Professional Work - LAS
Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard Scholarship and Professional Work - LAS
Silent and Boisterous Slaves: Considerations in Staging Pseudolus 133-234, Christopher Bungard, Daniel Walin Scholarship and Professional Work - LAS
Determinando un ruolo: immo e improvvisazione nello Pseudolus, Christopher Bungard Scholarship and Professional Work - LAS
Mercator, 691-802 in English, Version B. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard Scholarship and Professional Work - LAS
Mercator, 691-802 in English, Version A. NEH Summer Institute: Roman Comedy in Performance., Christopher Bungard, NEH Summer 2012 Institute Scholarship and Professional Work - LAS
Pseudolus, 133-234 in Latin. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard, NEH Summer 2012 Institute Scholarship and Professional Work - LAS
Mercator, 691-802 in Latin. NEH Summer Institute: Roman Comedy in Performance, Christopher Bungard, NEH Summer 2012 Institute Scholarship and Professional Work - LAS
Reconsidering Zeus’ Order: The Reconciliation of Apollo and Hermes, Christopher Bungard Scholarship and Professional Work - LAS
L’ingannatore ingannato: i due aspetti di Milfione nello Poenulo, Christopher Bungard Scholarship and Professional Work - LAS
Lies, Lyres, and Laughter: Surplus Potential in the Homeric Hymn to Hermes, Christopher Bungard Scholarship and Professional Work - LAS
Lies, Lyres, and Laughter in the Homeric Hymn to Hermes, Christopher Bungard Christopher Bungard
Lies, Lyres, and Laughter in the Homeric Hymn to Hermes, Christopher Bungard Scholarship and Professional Work - LAS
Advanced Search
Search Help
