Date of Award
Summer 6-1985
Degree Type
Thesis
Degree Name
Master of Music (MM)
Department
Music
First Advisor
Kay Hoke
Abstract
Four composers have been chosen for this study. They were the leaders of four successive generations of composers influential in the fifteenth and early sixteenth centuries. Their masses were written between the years 1420 A.D. and 1560 A.D. Many significant changes took place during this period of one hundred forty years. Older compositional techniques such as the use of formes fixes and isorhythm all but disappeared. Cantus firmus technique was transformed and extended to unify the mass cycle. Aesthetic considerations became more important to the composer than liturgical canons, and composers began to regard themselves as artistic creators not mere servants to the Church. The rise of humanism placed man at the center of his music, making it more expressive and personal then ever before.
Recommended Citation
Giffin, Janet E., "The Evolution of the Cadence in the Cyclic Masses of Dufay, Ockeghem, Josquin, and Gombert" (1985). Graduate Thesis Collection. 32.
https://digitalcommons.butler.edu/grtheses/32