Art History

Ophelia [Re]Envisioned: Feminist, Intertextual Analysis of Depictions of Ophelia from the Baroque to Postmodern Era

Presenter Information

Reid Bruner, Butler University

Document Type

Oral Presentation

Location

Indianapolis, IN

Subject Area

Art History

Start Date

11-4-2014 1:00 PM

End Date

11-4-2014 2:00 PM

Description

Examinations of art forms and movements over several centuries unveil a definitive shift in technical approaches to art, but whether the evolution of art always fomented countercultural voices requires further questioning. Observing differences in visual, theatrical, and textual representations of Shakespeare's character "Ophelia" reveals how often art reflects, rather than subverts, gender and body politics of the respective time period. From her Victorian incarnations as an icon of purity, modesty, and idealized femininity to her visual absence in the Baroque era to her appropriated appearances in postmodern art, Ophelia's subjectivity remains subsumed by societal, patriarchal forces. This project examines all the aforementioned art movements' depictions of Ophelia and how they promoted or deconstructed patriarchal designs, namely the "male gaze." Through this process, I explore the profound interconnection between societal forces and artistic movements.

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Apr 11th, 1:00 PM Apr 11th, 2:00 PM

Ophelia [Re]Envisioned: Feminist, Intertextual Analysis of Depictions of Ophelia from the Baroque to Postmodern Era

Indianapolis, IN

Examinations of art forms and movements over several centuries unveil a definitive shift in technical approaches to art, but whether the evolution of art always fomented countercultural voices requires further questioning. Observing differences in visual, theatrical, and textual representations of Shakespeare's character "Ophelia" reveals how often art reflects, rather than subverts, gender and body politics of the respective time period. From her Victorian incarnations as an icon of purity, modesty, and idealized femininity to her visual absence in the Baroque era to her appropriated appearances in postmodern art, Ophelia's subjectivity remains subsumed by societal, patriarchal forces. This project examines all the aforementioned art movements' depictions of Ophelia and how they promoted or deconstructed patriarchal designs, namely the "male gaze." Through this process, I explore the profound interconnection between societal forces and artistic movements.